a5c7b9f00b Private Investigator Terry Moran (<a href=">James Dunn), who is in love with Nora O'Brien (<a href=">Wanda McKay) the daughter of Police Detective Tim O'Brien (<a href=">Arthur Loft), is hired by Mrs. Hamilton to solve the murder of her husband, a fur dealer. Moran is beaten up by the henchmen of Maletti (<a href=">Jack La Rue), owner of the Black Swan Club and dealer in stolen goods and ordered to quit the case. Later, Terry and Nora search Hamilton's warehouse after they find a bill of sale for a large quantity of liquor, and discover that stolen furs have been substituted for the liquor. Forcing his way into Maletti's office, Terry discovers Maletti dead and he is hit over the head. He comes to to find the police accusing him of the murder.
You can't expect much from films from Monogram or PRC, but on occasion, you will get more than you bargained for. Here, in this comedy/mystery, it is fairly obvious "who done it", but getting there is the fun part. The film starts off with two adults playing with what looks like a rubber crab that moves on its own with just the flick of a finger, then heads into a very funny scene with leading man James Dunn in a pawn shop. Dunn, a private investigator involved with Wanda McCay, one of the participants in the rubber crab game, has planned to take her out for the evening, but gets waylayed in mystery by a beautiful woman whose husband has either died accidentally or been murdered. From there, Dunn has no choice but to involve McKay who insists on tagging along after Dunn's gun is taken away and he is framed for murder. McKay ironically is the daughter of the police chief who objects to Dunn being involved in the investigation. There's not much more than this, but in just a running time over an hour, there are enough pleasant comedy bits to forgive the obvious predictability, and the pace speeds along quite fast.
LEAVE IT TO THE IRISH is one of hundreds of cheapie, hour-long productions put out by poverty row producers Monogram Pictures and directed by the notorious William Beaudine, nicknamed 'One Shot' due to his talent for never shooting a second tape. This one's a familiar detective story in which a private investigator goes up against a liquor smuggling operation, and it has a noticeably lighter touch than usual insofarit tries to be funny throughout, even though it never really achieves that goal. The paucity of the budget is apparent from beginning to end.


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